The Church Fathers on this verse

Song of Songs 6:7Meaning & Commentary from the Church Fathers

There are threescore queens, and fourscore concubines, and young maidens without number.

Douay-Rheims

כְּפֶ֤לַח הָרִמּוֹן֙ רַקָּתֵ֔ךְ מִבַּ֖עַד לְצַמָּתֵֽךְ׃

Hebrew (Masoretic text)

The Church Fathers on this verse

3 Church Fathers comment on this verse

Gregory of Nyssa

4th centuryChurch Father

A magnificent occurrence that comes at the right moment is neither fleeting nor ill-timed. The 'sprinkle' that enhances the sweetness of the apple signifies a profound perfection in the bride’s goodness, revealing to her that she holds no greater treasure than herself, for within her lies the foundation of every virtue. Just as the 'sprinkling' encompasses everything that is edible in the thorn, the visible splendor of life illuminates the hidden treasure it possesses. This secret treasure represents the hopes of the soul, manifested through a courageous life, akin to the 'sprinkling' of a particular spike.

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The notion of 'except thy silence' suggests that true praise of you is not merely found in the visible or in what can be articulated, but rather in what remains unspoken, evading expression through words. Silence embodies that which eludes verbal expression, while it is also true that what is conveyed in words can reflect that which exists beyond silence. We often find ourselves silencing what cannot be articulated adequately. Therefore, if we consider what lies beyond words as silence, it logically follows that what transcends silence must be acknowledged as spoken. Thus, the declaration 'except thy silence' powerfully conveys that while what can be shared through words is indeed remarkable, that which exceeds words and is enveloped in silence—transcendent and inexpressible—truly surpasses all that can be articulated.

Ambrose of Milan

4th centuryChurch Father

What do the cheeks of the Church represent, as described in Scripture when it states, ‘As the halves of a pomegranate apple are thy cheeks’ (Song 6:7)? On these cheeks radiate humility and grace, symbols of either youthful vibrancy or mature perfection.

Ireneus (Orda)

19th centuryCommentator

During the moment when, as she instructed, they are preparing to seek her beloved, a new melody from him is heard. In this song, he draws a parallel between her beauty and the two most beautiful cities of Palestine, Tirtza and Jerusalem. He reiterates his previous commendations, declaring that she surpasses all other queens and maidens in his affections.

Cross references

Passages read together with this verse.