Ephraem the Syrian
Embrace the foundation and set it before you. This serves as God's concealed reminder to the Jewish people of their past degradation in Egypt.
And thou, O son of man, take thee a tile, and lay it before thee: and draw upon it the plan of the city of Jerusalem.
וְאַתָּ֤ה בֶן־אָדָם֙ קַח־לְךָ֣ לְבֵנָ֔ה וְנָתַתָּ֥ה אוֹתָ֖הּ לְפָנֶ֑יךָ וְחַקּוֹתָ֥ עָלֶ֛יהָ עִ֖יר אֶת־יְרוּשָׁלָֽ͏ִם׃
3 Church Fathers comment on this verse
Embrace the foundation and set it before you. This serves as God's concealed reminder to the Jewish people of their past degradation in Egypt.
And you, son of man, take a brick and place it before you. Draw the city of Jerusalem on it, lay siege to it, construct fortifications, create an embankment, set your camp against it, and set up siege engines around it. Just as previously noted regarding the command: "Come in and shut yourself in your house," behold, you will have bonds laid upon you, and they shall bind you, preventing your escape; the prophet serves as a symbol of the impending siege. Now, it is commanded to sketch a plan on a brick and to keep that brick clearly visible to the prophet.
By drawing Jerusalem in the dust, he is to depict the entire siege, marking the fortifications, the embankments to be erected, the encampment of the troops digging trenches, and the siege engines encircling it—all the means by which cities are typically conquered. The description encompasses the fortifications that encircle the city to prevent any of the besieged from breaking free, the embankments that fill the ramparts and ditches, the encampment acting as the military guard surrounding the city, and the siege engines which shake the foundations of the walls and dismantle the stonework. This reveals the close captivity of the city of Jerusalem during Zedekiah's reign, the year of which was marked by the capture of both king and city. Instead of “brick,” which is referred to in the feminine form in Greek as ἡ πλίνθος, Simmachus provides additional clarity by using πλἰνθιον, which we identify as laterculus (brick) or abasis (plank). On this surface, geometers typically draw lines and angles. Some claim that it is not inappropriate to have knowledge of such science, referencing Joshua’s son sending spies to survey the land (Num. 2), aptly termed geometria, and the angel of Zechariah who had a measuring line to assess Jerusalem (Zech. 2). The prophet is commanded to draw Jerusalem in the dust, a practice referred to as σκηνογραφία, which can also be understood as a reprimand of Israel, who was forced to labor with brick and mud for Pharaoh. Alternatively, the city deemed mighty and invincible is likened to a fragile brick that collapses upon contact with water. Thus, the one previously described as “is not the rock very strong, and is not the mountain in the wilderness the daughter of Zion?” is now compared to a brick that is swept away by the flood of Babylon, as articulated in the prophecy: “For this cause shall the Lord lift up upon you the waters of the river, strong and abundant, the king of Assyria” (Isaiah 8:7).
The Lord instructs that the siege of Jerusalem be chronicled, and this representation is placed on stone to symbolize the vulnerability of its inhabitants. They constructed their temple not on solid ground, like the wise man, but rather on shifting sand. Consequently, the floods arose, the rain fell, and the winds howled, leading to the temple's collapse and resulting in profound devastation (Matthew 7:24-27).
Passages read together with this verse.