As Ezekiel illustrates the beauty of Tyre through the imagery of a ship and its elements, and the king of Egypt is depicted as a dragon due to the abundance of waters, while the fornication of Jerusalem with idols is likened to promiscuous women in a tavern; similarly, here, the metaphor of a captive woman—who was once a queen—illustrates the downfall of Babylon, highlighting that she must abandon her regal arrogance and sit upon the dust. This is referred to as a maiden and daughter, perhaps because, in the sight of God, all beings are His creations, indicating that Babylon does not merit condemnation by nature, contrary to the heretics' beliefs, or it could be a reference to the luxurious decorations of a once-mighty city that, now aged and on the brink of collapse, foolishly claims youthful beauty. Some interpret this not solely as Babylon but also as Rome, which is identified as Babylon in the Revelation of John and Peter’s epistle. They assert that what is spoken of concerning Babylon aligns with its demise, as after the salvation of Zion—the Church—it will fall forever.
Thus, to Babylon, the queen and daughter of the Chaldeans—founded by them—it is said that she, once embraced by all nations, now must no longer be seen as luxurious and indulgent, and she is commanded to take a millstone and grind grain, symbolizing her severe captivity and degradation, transforming her from a queen to one who grinds. The phrase "expose your shame" may be understood in a deeper, figurative sense that parallels a promiscuous woman subjected to the desires of her conquerors. Furthermore, drawing a parallel to the account in the Book of Judges where Samson was destined to grind for the Philistines, it reflects the mightiest of men being forced to this servitude.
When translating "expose your shame," the Septuagint translates this as "open your veil," while Theodotion uses the Hebrew term samtech and Aquila renders it as semmatech. The term suggests a type of silence born from shame, akin to the description of the bride in the Song of Songs, where beauty is complemented by the phrase "Except thy silence," as the interpreters avoided translating a word in Scripture that connotes shame.
Thus, Babylon, despite the propriety of naming human body parts, is called to reveal her breast and expose her legs, heading into captivity, where her disgrace shall be evident, subjected to everlasting humiliation. This, says the Lord, comes in retribution against those who wronged His people, with no pleas taken into account by those attempting to soothe the Lord's anger with their intercessions. This alludes to the angel guarding Babylon’s people, asserting alongside others that "We have healed Babylon, and it has not been healed." In the Septuagint, it states, "I will take what is righteous from you and will no longer deliver it to men," which may refer either to Babylon itself or to that which is deemed righteous and has been taken from it.
The Stoics claim that many acts regarded as disgraceful in reality are viewed as respectable in name due to their misapplication among humanity, such as patricide, adultery, and other offenses. Meanwhile, what is inherently proper may be perceived as shameful by name—such as childbirth or even natural bodily functions—illustrating the perverse cultural applications of language. Thus, the term semmatec, as used by Aquila, reflects a woman's essence, conveying Babylon's insatiable desire.