Augustine of Hippo
A Psalm of David, during the time he feigned madness before Abimelech, who allowed him to leave. There was a sacrifice instituted by Aaron, and then He offered a sacrifice of His own body and blood through Melchizedek; consequently, He transformed His identity within the priesthood, allowing the reign of Judah to transition to the Gentiles. What did He accomplish then? He was overflowing with love. For what exhibits such profound love as the compassion of our Lord Jesus Christ, who, recognizing our frailty, chose to bear a temporal death filled with offense and humiliation in order to save us from everlasting death? He sounded a drum; for a drum is created when a skin is stretched over wood, and David played this drum, symbolizing Christ’s crucifixion.
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However, He beat upon the gates of the city: what do the gates of the city represent if not our hearts, which we have sealed off from Christ, who through the drumbeat of His Cross has opened the hearts of humanity? He was lifted in His hands; how was He lifted in His hands? When He blessed His Body and Blood, He held in His hands that which the faithful recognize, and in a way, He guided Himself as He proclaimed: ‘This is My Body’ (Matthew 26:26). He fell at the gate; that symbolizes His humbling. Such humility is essential even at the beginning of our faith. For the gate signifies the onset of faith, from which the Church begins and ultimately perceives: that by believing in the unseen, she may deserve to partake in them when she finally sees face to face. This encapsulates the essence of the Psalm; we have briefly noted this, now let us listen to the very words of Him who acts and knocks at the gates of the city.