The Church Fathers on this verse

Revelation 21:20Meaning & Commentary from the Church Fathers

The fifth, sardonyx: the sixth, sardius: the seventh, chrysolite: the eighth, beryl: the ninth, a topaz: the tenth, a chrysoprasus: the eleventh, a jacinth: the twelfth, an amethyst.

Douay-Rheims

ο πεμπτος σαρδονυξ ο εκτος σαρδιον σαρδιος ο εβδομος χρυσολιθος ο ογδοος βηρυλλος ο ενατος τοπαζιον ο δεκατος χρυσοπρασος ο ενδεκατος υακινθος ο δωδεκατος αμεθυσος

Greek (Byzantine text)

The Church Fathers on this verse

8 Church Fathers comment on this verse

Clement of Alexandria

2nd centuryChurch Father

We know that the heavenly Jerusalem is surrounded by a wall of precious stones. The twelve gates of this heavenly city, built of precious stones, signify, I think, the voice of the apostles heard everywhere. Precious stones have different colors, and this is what is precious in them. The rest of earthly matter has no value. Rightly, the city of the saints, this spiritual building, is symbolically presented as surrounded by a wall of stones. In their inimitable quality one must see the glory of the Holy Spirit, and the imperishability and holiness of His being.

Andrew of Caesarea

6th centuryChurch Father

The fifth is sardonyx. This stone, which has the color of a shining human fingernail, signifies James, who was put to death for Christ before the others. The fingernail also points to this, since it feels no pain when cut. The sixth is sardius. Sardius, orange and shining in color, and healing swellings and wounds from iron, signifies, I think, the beauty of blessed Philip’s virtues. They are illumined by the fire of the Spirit of God and heal wounds of the soul received from the devil’s assault. The seventh is chrysolite. Chrysolite, shining like gold, may signify Bartholomew, adorned with most precious virtues and radiant with divine preaching. The eighth is beryl.

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This stone, the color of sea and air, signifies, I think, Thomas, who made a distant journey for the salvation of the Indians. The ninth is topaz. Topaz, like anthrax in its dark color and said to pour forth a milk-like juice that heals diseases of the eyes, may signify the soul of blessed Matthew. It was embraced by zeal and adorned with blood shed for Christ. It heals those blind in heart through the Gospel and offers milk to those newborn in faith. The tenth is chrysoprase. Chrysoprase, surpassing gold in brilliance, signifies blessed Thaddaeus. He proclaimed to Abgar, king of Edessa, the Kingdom of God, signified by gold, and deadness in himself, signified by millet. The eleventh is jacinth. Jacinth, azure or heavenly in color, signifies Simon, as a zealot for Christ’s gifts, who received heavenly wisdom. The twelfth is amethyst. Amethyst, purple in color, signifies Matthias, who received the divine fire at the division of tongues. For his fiery pleasing of Christ, who chose him, he replaced the fallen apostle. We have taken this from the words of blessed Epiphanius on the stones, applying them to the chiefs of the tribes of Israel. We repeat it here only as conjectures and guesses about the truth, known only to Him who revealed it, for the reader’s exercise. In any case, it is true that the foundations and precious stones are the apostles. They possess the properties of the stones, each his own, while all together possess what is distinctive and best in all the stones. Therefore these reflections should not be regarded as self-invented fictions. By pointing to the particular properties of each apostle’s virtues, we do not deny their unity and common possession. We only wish to disclose the complete identity that joins them all together like a chain.

Aprinigius

6th centuryChurch Father

These foundations of the city are interpreted as the apostolic faith and the preaching of the apostles, upon which our Lord Jesus Christ built His city. For He who is the foundation of foundations is Himself the builder, fashioning the holy Church on faith in His most blessed name, from the first and later generations up to the hidden end of the world. The different precious stones signify the apostles, because in each of them the gifts and miracles of the Holy Spirit are manifested. Also, the fact that the radiance of pure light is visible in them signifies that what pours outward from them as light does not fail within.

Caesarius of Arles

6th centuryChurch Father

John names different precious stones in the foundations in order to show the gifts of the various graces given to the apostles. As it is said of the Holy Spirit: distributing to each one individually as He wills (1 Cor 12:11).

Primasius of Hadrumetum

6th centuryChurch Father

In the song of Tobit we read: “All your walls shall be of precious stones” (Tob 13:16). And again in Isaiah: “Behold, I will set your stones in order and lay your foundations with sapphires. I will make your battlements of jasper, your gates of carved stones, and all your border of precious stones” (Isa 54:11-12). Then, as though explaining what was said, lest you imagine in a fleshly way the outline of an earthly work, he adds: “All your sons shall be taught by the Lord, and great shall be the peace of your sons” (Isa 54:13). Blessed Paul speaks in agreement with this: “being built upon the foundation of the apostles and prophets, Jesus Christ Himself being the cornerstone, in whom the whole building, being fitted together, grows into a holy temple in the Lord” (Eph 2:20-21).

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Having said that the foundations are adorned with every precious stone, he now lists the stones in order. In the images of all these stones, the beauty and foundation of the virtues are portrayed, by which each of the saints is spiritually adorned. The city itself also appears in the narrative as wholly adorned with stones, varied in strength and elegance.

Beda Venerabilis

7th centuryChurch Father

This stone shines like onyx and is red like carnelian. For this reason it is named from both stones, sardonyx. There are many kinds of sardonyx in the world. One resembles red earth. Another seems composed of two colors, as though blood shone through a human fingernail.

A third consists of three colors: black below, white in the middle, and red above. It may be compared to people made red by the sufferings of the body and snow-white by purity of soul. Yet in humility of spirit they look upon themselves with contempt and affirm with the Apostle: 'Though our outer man is decaying, our inner man is being renewed day by day' (2 Cor 4:16).

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And again: 'I know nothing against myself, yet I am not thereby justified' (1 Cor 4:4). The psalmist likewise says: 'Though a man walks in the image of God,' that is, by the power of the spirit, 'he is troubled in vain' (Ps 38:7), that is, through the weakness of the flesh.

Carnelian, with its deep blood-like color, symbolizes the glory of the martyrs, of which it is said: 'Precious in the sight of the Lord is the death of His saints' (Ps 115:6).

The chrysolite stone shines like gold and blazes with golden sparks. It recalls those who, shining with understanding of heavenly things and with true wisdom, pour out upon their neighbors words of encouragement, or even signs of power, like fiery sparks. [...] And because such a thing is possible only by the gift of the Spirit, chrysolite rightly occupies the place of the seventh foundation.

The grace of the Holy Spirit is often symbolized by the number seven, as was said above: 'From the seven spirits who are before His throne' (Rev 1:4). This meaning also agrees with the fact that this stone may be blue-green in color.

The Hebrews call this variety tare, because the color of such a stone resembles the color of the sea. Green signifies the purity of faith, which is called the beginning of wisdom. Water symbolizes the Holy Spirit, as the words of the Lord Himself bear witness: 'He who believes in Me, as the Scripture has said, out of his belly shall flow rivers of living water.'

'This He said of the Spirit, whom those who believed in Him were to receive' (Jn 7:38-39). This may refer to the place where the stone was discovered.

Beryl, like water pierced by sunlight, glows with a beautiful red color. Yet it does not truly shine until it is cut into a hexagonal form and polished. Its brilliance becomes brighter as it is reflected from the angles.

This stone symbolizes those people who are endowed by nature with keen understanding, but who shine still more brightly by reflecting the light of heavenly grace. Solomon bore witness that water symbolizes the depth of understanding when he said: 'The words of a man's mouth are deep waters' (Prov 18:4).

Topaz is a rare stone, and for that reason it is more precious. It consists of two colors: one of pure gold, and the other of clear air. It is marked by a rich rosy hue and modest purity.

In brightness of color it resembles chrysoprase, since it sparkles most of all when illumined by sunlight. It surpasses all precious stones in radiance and offers the eyes an incomparable delight. Yet if you wish to polish it, it grows dull.

If you leave it as it is by nature, it will shine. Even kings value its splendor highly, and among all their treasures they cannot find anything like it.

Its most beautiful natural qualities are rightly compared with the beauty of the contemplative life. For the holy kings, whose heart is in the hand of God, worthily displayed the treasure of the fullness of good works and the precious stones of all the virtues.

They directed upon them the penetrating gaze of their most pure understanding. And the more ardently their soul was seized by the sweetness of heavenly life, the more often it reflected the radiance of grace from on high. [...]

They say that topaz comes from one of the islands of the Thebaid named Topazion, from which its name derives. This may be understood in two ways. First, in that region, that is, in Egypt, there are many monks.

Second, whoever lives near the Sun of righteousness will necessarily be colored by the radiance of heavenly light. And as the precious stone that represents the perfection of the active life stands in the eighth place, so in the ninth stands the delight of the contemplative life.

Or it is because from Holy Scripture we know of nine ranks of angels, whose life the contemplative life imitates. Or again, because only one step, so to speak, separates it from the tithe of perfect blessedness, namely death.

The prophet expressed the substance of this longing with the following sigh: 'I love Your commandments more than gold and topaz' (Ps 118:127). That is, with sweet love I have loved Your commandments more than the splendor of all worthy deeds.

I have loved them more than every height and joy of contemplation possible in this life. The first and greatest of the commandments is: 'Love the Lord your God with all your heart, and with all your soul, and with all your strength' (Deut 6:5).

The full perfection of this, of course, can be attained only in the height of the Kingdom of Heaven. Cf. Gregory the Great, Homilies on the Gospels 34.

Chrysoprase, a green quartz, is a mixture of gold and green, even with a certain purple tint, and with drops of gold interspersed. It comes from India and symbolizes those who, through the radiance of perfect love, have deserved the greenness of the eternal homeland.

They also open the way to it for others by the purple light of their martyrdom. Those who hate the present life prefer eternal glory to it, following the example of the Lord manifested in the flesh.

Therefore even now they show the world the radiance of their merits, as though in India, that is, in the land of the rising sun. They hope to shine like the Sun in the Kingdom of the Father and to reign in it with their King, with whom they now suffer.

For this reason they are rightly placed in the tenth position. For the denarius, which the workers in the Lord's vineyard received as payment (cf. Mt 20:2), displays the image of the eternal King.

There the perfection of love for God and neighbor is fulfilled, the whole Decalogue, which was not possible on the ninth step.

Hyacinth is found in Ethiopia. It is dark blue, neither soft nor too hard, but gently luminous, pure, and pleasant to the eye. On the other hand, its radiance is not always the same and changes with the condition of the sky.

When the sky is clear, the stone is transparent and pleasing to behold. But when clouds pass over the sky, it grows dim and is harder to see.

Hyacinth symbolizes souls whose gaze is always turned to heavenly things, and who, as far as is possible for mortals, lead a life like that of the angels. They have been instructed to guard the heart with all diligence.

They must not become hardened through excessive subtlety of perception, nor desire to seek what is higher and more powerful. For 'the glory of God is to conceal a matter' (Prov 25:2), that is, to speak cautiously about the Godhead or humanity of Christ.

They must also take care lest, growing frozen in inactivity and numbness, they be carried back to the beginnings of faith, to the foundations of teaching about God. Those who follow the royal road are guarded on the right and on the left by the weapons of righteousness.

Observing the weather, they change with the sky, saying to those who look upon them: 'If we are beside ourselves, it is for God. If we are sober-minded, it is for you' (2 Cor 5:13).

Wrapped in clouds, as though they were the sky, they say: 'You are not restricted by us, but you are restricted in your own hearts' (2 Cor 6:12). And again: 'I decided to know nothing among you except Jesus Christ, and Him crucified' (1 Cor 2:2).

And as though in the light of a fair day, it was said: 'Yet among the mature we speak wisdom' (1 Cor 2:6).

Amethyst is a purple-violet stone, with an almost rosy sheen, sparkling gently. Yet at times its purple seems not only fiery, but like red wine.

The purple recalls the beauty of the Kingdom of Heaven, while the violet-rose color symbolizes the humility of the saints and their precious death. Without doubt, their mind strives chiefly upward, even when outwardly they endure various circumstances.

Amid trials they constantly remember what the Lord promised: 'Fear not, little flock, for it is your Father's good pleasure to give you the Kingdom' (Lk 12:32). And they pass the flame of love not only to one another, but even to their persecutors.

On their knees they implore: 'Lord, do not hold this sin against them' (Acts 7:60). More than this, as they drink the cup of sufferings, they become still more intoxicated with this wine that gladdens the heart of man.

They remember that the Lord promised to drink it anew with His disciples in the Kingdom of the Father (cf. Mt 26:29).

Borodin P.M.

19th centuryChurch Father

The twelve precious stones adorning the foundations of the city, like the foundations themselves, signify the twelve apostles. At the same time, they indicate the distinctive property or dignity of each one.

Michail Cheraskov

19th centuryChurch Father

By what features does the seer depict the new Jerusalem, which descended before his eyes from heaven? Here are some of these remarkable features. “The city has the glory of God, and its light is like a most precious stone” (Rev 21:11). This signifies a certain special nearness of the Lord God to it, so that the whole city is illumined by divine light. A high wall surrounds the city as a sign that no one unworthy can enter there. The same thought is expressed by the fact that angels of God keep watch at its twelve gates. The gates bear the names of the twelve tribes of Israel. For as on earth these tribes formed the society of God’s chosen people, so their names are also assigned to the elect of heaven. The city has the form of a regular quadrangle.

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This geometrical figure is used in the picture as a symbolic mark of perfection. On the twelve foundations of the wall are written the names of the twelve apostles of the Lamb. This is surely a sign that the apostles are the foundations, or founders, of the Christian faith among all nations. The city is measured by an angel before the seer’s eyes. This signifies, first, that the number of the chosen citizens of this city was foreseen from eternity. It also signifies that each of these elect has attained a certain definite measure of righteousness and holiness. When measured, the city proved to have equal length, breadth, and height, and its wall measured 144 cubits. All these numerical expressions are plainly used to signify perfection, firmness, and the wondrous symmetry of the whole building of the Church of God. The wall of the city is built of jasper, which in the Apocalypse signifies divine glory; see above, Rev 21:11. The city itself is of pure gold. The foundations of the city wall are made of twelve solid precious stones, and the twelve gates are made of twelve whole pearls. The street of the city is pure gold, like transparent glass. All these details express one and the same idea. In the heavenly Church of God everything is holy, pure, light-bearing, and firm. Everything in it is majestic, spiritual, and precious. The gold of grace and of God’s love is scattered everywhere in abundance for the full blessedness of its holy members.

Cross references

Passages read together with this verse.

The original text

Greek text, 24 words with lemma, transliteration and Strong’s number. Tap to expand.

  1. ὁ
    ho
    the
    G3588 · ὁ
  2. πέμπτος
    pemptos
    the fifth
    G3991 · πέμπτος
  3. σαρδόνυξ
    sardonyx
    sardonyx
    G4557 · σαρδόνυξ
  4. ὁ
    ho
    the
    G3588 · ὁ
  5. ἕκτος
    hektos
    sixth
    G1623 · ἕκτος
  6. σάρδιον
    sardion
    carnelian
    G4556 · σάρδιον
  7. ὁ
    ho
    the
    G3588 · ὁ
  8. ἕβδομος
    hebdomos
    seventh
    G1442 · ἕβδομος
  9. χρυσόλιθος
    chrysolithos
    a topaz
    G5555 · χρυσόλιθος
  10. ὁ
    ho
    the
    G3588 · ὁ
  11. ὄγδοος
    ogdoos
    eighth
    G3590 · ὄγδοος
  12. βήρυλλος
    bēryllos
    a beryl
    G969 · βήρυλλος
  13. ὁ
    ho
    the
    G3588 · ὁ
  14. ἔνατος
    enatos
    ninth
    G1766 · ἔννατος
  15. τοπάζιον
    topazion
    topaz
    G5116 · τοπάζιον
  16. ὁ
    ho
    the
    G3588 · ὁ
  17. δέκατος
    dekatos
    tenth
    G1182 · δέκατος
  18. χρυσόπρασος
    chrysoprasos
    a chrysoprase
    G5556 · χρυσόπρασος
  19. ὁ
    ho
    the
    G3588 · ὁ
  20. ἑνδέκατος
    hendekatos
    eleventh
    G1734 · ἑνδέκατος
  21. ὑάκινθος
    hyakinthos
    jacinth
    G5192 · ὑάκινθος
  22. ὁ
    ho
    the
    G3588 · ὁ
  23. δωδέκατος
    dōdekatos
    twelfth
    G1428 · δωδέκατος
  24. ἀμέθυστος
    amethystos
    amethyst
    G271 · ἀμέθυστος