The Church Fathers on this verse

Song of Songs 2:13Meaning & Commentary from the Church Fathers

The fig tree hath put forth her green figs: the vines in flower yield their sweet smell. Arise, my love, my beautiful one, and come:

Douay-Rheims

הַתְּאֵנָה֙ חָֽנְטָ֣ה פַגֶּ֔יהָ וְהַגְּפָנִ֥ים ׀ סְמָדַ֖ר נָ֣תְנוּ רֵ֑יחַ ק֥וּמִי לכי לָ֛ךְ רַעְיָתִ֥י יָפָתִ֖י וּלְכִי־לָֽךְ׃

Hebrew (Masoretic text)

The Church Fathers on this verse

7 Church Fathers comment on this verse · 8 commentaries

Cyrill of Alexandria

5th centuryChurch Father

Additionally, it is appropriate to observe that the fig tree and the vine symbolize the Church, a truth echoed by the divine Psalmist who refers to the supreme and heavenly Bridegroom, Christ, stating, "Thy wife is as a fruitful vine in the countries of thy house" (Psalm 127:3). The Almighty has not claimed anywhere that the vineyards are fragrant and blossoming, which may allude to the time when the Churches emerged out of faith in Him. These vineyards represent the multitude of individuals newly believing, who may not yet be fully mature but are destined to become sweet through their pursuit of perfection. In doing so, they attain the stature of "a perfect man of the fulfillment of Christ" (Eph.

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4:13), thus becoming, in a sense, delightful fruits to God, as close to the Church as they are to creation itself. Therefore, if the fig tree and the vine symbolize the churches, then we shall find refuge under their guidance (Zechariah 3:10), encouraging one another with the prophetic proclamation: "Come, and let us go up to the mountain of the Lord, and to the house of the God of Jacob; and he will show us his way, and we will walk in it" (Isaiah 2:3). Should we reach this goal, all praise will be bestowed upon those who beckoned us, as it is written: "I have rejoiced in them that said unto me, Let us go into the house of the Lord" (Psalms 121:1). Here, fruit symbolizes our ultimate joy, prompting us to echo the Psalmist: "One thing have I asked of the Lord, that I will seek after: that I may dwell in the house of the Lord all the days of my life, to behold the beauty of the Lord, and to consult in his holy temple" (Psalms 26:4).

In the Song of Songs, Christ addresses the bride, representing the Church, with the words, "Arise, my beloved, my beautiful one, come forth! Behold, the winter is past; the rain has gone; the flowers appear on the earth; the time of singing has come" (Song 2:10). This message of springtime peace is for those who trust in Him.

The Rock is Christ, for to us who believe, He serves as both a refuge and protection, a stronghold in every way. He affirms that once the Church is established, it will be fortified in all respects.

Gregory of Nyssa

4th centuryChurch Father

The analogy drawn from the fig tree, which is said to "lose its color," can be interpreted in this manner: the fig tree, affected by heat, draws moisture from the earth into its roots. When this moisture accumulates within the tree's core, it must expel what is unwholesome and earthy from its branches during the process of juice digestion. This action occurs repeatedly, allowing the fig tree to produce clean, nourishing fruit in due time. However, rather than yielding sweet, perfect fruit, the fig tree produces flowers that, while potentially becoming nourishing over time, are merely a precursor to actual fruit. Thus, sighting these flowers gives hope for forthcoming fruit, as the color they exhibit signals the presence of figs that are fit to eat.

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The Word speaks to the bride of a spiritual spring, a moment linking the bleakness of winter to the fruitful delight of summer. While it may indicate that adversity is fading, it does not yet reveal the full fruits of virtue, holding them in anticipation for the appropriate harvest moment. The harvest, as you know from the Lord’s teaching, denotes “the end of the age” (Matthew 13:39). The Word nurtures our hope as it blooms in virtue, and as the Psalmist notes, its fruit will emerge “in its time” (Psalm 1:3).

Just as human nature mirrors the fig tree, it has collected undesirable moisture during a metaphorical winter. The One who plants in us a soulful spring, through meticulous care, cultivates humanity by first removing everything earthy and unworthy, purifying our confessions from excess, and then nurturing qualities that reflect the joy to come, akin to a vibrant color that heralds the sweetness of future figs. The imagery of “the figs shall wear out their colour” conveys this transformation. Similarly, consider ripe grapes that will eventually provide the wine, which refreshes the heart, filling the cup of wisdom and being offered to companions “with high preaching” (Proverbs 9:3). This wine represents a divine intoxication, drawing people from the material to the heavenly. The grapes bloom, exuding a fragrant and pleasant aroma, infused by the encircling Spirit—this Spirit, as Paul teaches, produces this “fragrance” in “them that are saved” (2 Cor. 2:15). The Word highlights these signs of the soul's beautiful spring to the bride in advance, beckoning her to partake of the offerings, encouraging her with words like, “Arise, come my neighbor, my good one, my dove.”

In these exhortations, the Word succinctly points out numerous doctrinal truths. It is not the nature of divinely inspired teaching to reiterate phrases without purpose; rather, such repetition unveils profound divine thought. Essentially, it asserts that the blessed, eternal, and transcendent nature, which encompasses all existence, is not confined by any boundaries. In His essence, there are no descriptors such as time, place, color, or form—only infinite goodness exists where evil holds no sway. In contrast, our nature, being variable, contains the potential for both good and evil, and thus good is limited by emerging vice, with conflicting desires influencing our souls. Yet, the Nature that is simple, pure, uniform, immutable, and everlasting is untainted by evil and boundless in goodness, transcending any concept of limitation. Therefore, when He draws the human soul into fellowship with Himself, He elevates it beyond its previous state, inducing continual growth in goodness. As the soul engages with the divine nature, it perpetually ascends in communion, continuously finding itself enriched.

Let us observe the bride as she climbs the ladder of virtue, being guided by the Word to higher realms. The Word illuminates her through the "windows" of the Prophets and the "net" of the commandments, inviting her to approach the light and become beautiful, taking on the grace of a dove. After she has embraced all she can, the Word beckons her to partake of greater beauty, stirring her desire to ascend further, with her experience of blessings at higher levels ever expanding. Thus, the Word repeatedly calls to the bride, “Arise,” to those who are journeying, He says, “Come.” For one who truly ascends will find an unending need to rise, and for those who pursue the Lord, the path to the divine fountain never runs dry. To those who draw closer to the goal of perfection, resting is never an option. With each repetition of “arise” and “come,” the Bridegroom empowers her to reach ever greater heights of excellence.

Consider also the further message within the word. He who bids the beautiful to become even more beautiful offers directly the apostolic charge to be transformed “into the same image” from “glory to glory” (2 Cor. 3:18). Thus, the glory found in continually receiving from what is great and sublime is less than what we ultimately seek. Furthermore, even the dove, with her prior attributes, is prompted to embody her likeness once more after her transformation into greater beauty. If this latter commandment is fulfilled, so will the next, as He refers to her once more as “my dove, in the hiding place of the rock; near to the appearing” (Song of Songs 2:14).

Jerome of Stridon

4th centuryChurch Father

The turtledove proclaims to the other turtledove that the figs have lost their bloom, signifying that the ordinances of the former law have diminished, while the new life of the gospel has released its sweet aroma. Therefore, the apostle declares, We are the fragrance of Christ (2 Cor. 2:15).

The bridegroom responds to his beloved bride, conveying that the era of the old covenant has concluded and the reality of the gospel has arrived: Arise, my cherished one, come forth, my bride; behold, the winter has ended; the rain has departed, it is no more (Song 2:10-11). The voice of the turtledove is heard in our land (Song 2:12). The turtledove, representing purity and residing in elevated places, serves as a symbol of the Savior.

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The turtledove proclaims: The fig trees are in bloom (Song 2:13), indicating that the decrees of the old covenant have ceased, and the new blossoms of the gospel emit their sweet aroma. While you hid your face with Moses, and the law served as a veil, I could not see your face, nor did I honor your voice, which called, And when you multiply your prayers, I will not listen (Isaiah 1:15). Now, behold my glory unveiled, and find security within a fortress made of the strongest stone.

Ambrose of Milan

4th centuryChurch Father

The fig tree yields its immature fruit. The tree that was destined to be cut down for being unproductive is now beginning to bear fruit, as noted in Luke 13:7. What puzzles you about the term 'immature fruit'? The initial bounties are taken away so that the following harvest may be more abundant and ripened, paralleling the rejection of the synagogue’s yield while the Church’s fruits are rejuvenated.

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The fig tree serves as a fitting symbol for the synagogue due to its unique characteristics. Unlike other trees that flower before they bear fruit, the fig tree produces its fruit right from the start, forgoing flowering altogether. In contrast, on other trees, blossoms fall off before fruit can form, whereas on the fig tree, the early, unripe fruits drop away to make way for newer ones. Thus, these premature fruits, not ready for harvest, arise out of order and lack the quality bestowed by nature. While other trees bloom in early spring, the fig tree uniquely skips flowering, indicating that its early fruits may not typically ripen. In arid regions, these initial figs often do not come to maturity, though this can vary. As they are replaced by later fruits, these earlier figs are deemed false and fall away, with their stems weakened by lack of moisture, yielding space for more fruitful ones that draw more nourishment from the tree’s essence. However, a few of the rarest figs remain, developing on short stems nestled between two branches. Here, protected as if cradled by Mother Nature, they receive richer nourishment. Although these fruits may take a longer time to ripen, they benefit from gentle breezes and favorable conditions, eventually surpassing their counterparts in quality and beauty.

Now, consider the conduct and mindset of the Jews: like the initial fruits of the barren synagogue, they have fallen like the early figs, paving the way for the enduring fruits of our people. The inaugural members of the synagogue were frail and their deeds withered, lacking the ability to draw from the wellspring of divine wisdom. Thus, they became ineffective, making way for new growth from the fertile branches of the ancient worship of God, leading to a new congregation in the Church. That which once existed has come to an end, so that something new might emerge, which had not existed prior. Nevertheless, these early fruits originated from Israel! Those who arose from the stronger branch, nourished under the Law and the Cross, drew from both sources of maturity, resembling ripe fruit, excelling in beauty and ripeness. To them, the promise is made: You will sit on twelve thrones to judge the twelve tribes of Israel, as stated in Matthew 19:28 and Luke 22:30.

Theodoret of Cyrus

5th centuryChurch Father

The Bridegroom refers to the soul perfected in righteousness as a dove, symbolizing her spiritual nature and fullness of the Holy Spirit. Likewise, the Bridegroom calls upon His Church, weary from trials, offering encouragement as He peers through the window and gazes through the lattice (Song 2:9), urging her to rise and ascend to Him. He proclaims that if she remains attentive to the two Covenants and embraces both, she will discover the diverse gifts of the Spirit there. Consequently, when the bride, inspired by spiritual urging, relaxes between the two covenants, she uncovers wings adorned with silver (cf. Ps. 67:14), which motivate her to take flight towards her Bridegroom.

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The Bridegroom praises the beauty of His Bride, not merely stating she is good, but affirming ‘my goodness,’ indicating her beauty is profoundly delightful to Him. He addresses her as a dove, for she possesses perfect virtue and is filled with the Holy Spirit: ‘Arise, come, my neighbor, my beloved, my dove.’ In this manner, He comforts and affirms His Church amidst her trials, persuading her to rise and ascend toward Him. He has given her the wings of a dove, as David noted: ‘If you sleep in the midst of the limits, the wings of the dove are covered with silver, and her inter-doors adorned with the shining of gold’ (Psalm 67:14). Here, the two Covenants represent the boundaries, the dove symbolizes the grace of the Holy Spirit, the silvered wings embody the Light of the Word, and the golden inter-doors signify the understanding of profound mysteries. In essence, He suggests that resting in the two Covenants unveils the various gifts of the Holy Spirit. Therefore, when the Bride, eager for spiritual persuasion, finds rest between the two Covenants, she discovers silver-covered wings and ascends to her Bridegroom.

Song 2:11 states: 'For behold, the winter is passing away, the rain is departing, it is departing for itself.' Song 2:12 declares: 'Flowers are appearing on the earth; the time of circumcision has come; the voice of the turtledove is heard in our land.' Song 2:13 notes: 'The figs are wearing out their blossoms; the grapes are ripening and giving off a sweet aroma.' Here, 'winter' signifies the period before His arrival, 'spring' represents the time after it, and 'summer' points to the age to come. 'The winter passes away, the rain departs' indicates that the threats of the Law and the heavy burdens of sin have come to an end, as the shadow yields to the reality, and the pestilence to the Wise Teacher. 'The blossoms appear upon the earth' emphasizes the precision of this statement; He does not mention fruit, but blossoms, as the full enjoyment of the good is granted in the age to come. During this life, we echo St. Paul, 'We see now as in a mirror dimly, but then face to face' (1 Cor. 13:12). 'The time of circumcision is at hand,' as Simmachus and Aquila interpret it, signifies the time of purification. After Christ's arrival, all nations were cleansed. This aligns with the Lord's declaration: 'I am the true vine, and my Father is the gardener; every branch that does not bear fruit He takes away, and every branch that bears fruit He prunes, that it may bear more fruit' (John 15:1-2). 'The time of circumcision has come' and additionally 'the voice of the turtledove is heard in our land.' The voice of the turtledove represents the ministry of the Holy Spirit, whose grace is likened to this pure bird due to its cleanliness, solitary nature, and the way it builds its nests in trees. 'The voice of the turtledove is heard in our land, the fig tree is losing its blossoms,' signifying the soon-to-ripen fruit of faith from which the fruits of good works are nurtured, ripening, and made pleasing. 'The ripening grapes give off a pleasant aroma.' The spiritual grapes have blossomed and released a fragrant perfume. Thus, Song 2:13 encourages: 'Arise, come, my neighbor, my beloved, my dove, and come.'

Song 2:14 continues: 'You, O my dove, are in the cleft of the rock, in the secret places of the cliff.' He refers to her sheltering under a rocky refuge to prevent her from being stained again. The rocky shelter represents true faith and genuine confession. 'You, my dove, are under a rocky protection, near the foretaste.' Near the foretaste indicates His desire for her to not cling to the present life or focus on the visible but instead to aspire towards the invisible: for the visible is temporary, while the invisible is eternal. He offers this counsel to stay close to the pre-tribulation, urging her to let go of earthly distractions while in the body, keeping her mind on spiritual matters, and to remain untroubled amidst turmoil, distancing herself from the current city and its confines. Unless she draws near to the foretaste, she will not experience the joy of union with Him. If she does not echo Paul’s words: 'For though we walk in the flesh, we do not war according to the flesh' (2 Corinthians 10:3) and does not dwell between the present and the future (which I believe signifies prefiguration), our union cannot be realized. However, I implore you who enter therein, Song of Songs 2:14: 'Show me your face.' You possess a pure heart, untouched by worldly concerns. Song of Songs 2:14: 'And let me hear your voice,' for I long to hear it, then your voice shall be sweet to me. Song of Songs 2:14: 'And your appearance shall be lovely,' for my beauty will be reflected in you as in a mirror, and my words will be in your mouth. This is what the Bridegroom conveyed to the Bride and instructed His ministers to relay.

Gregory of Elvira

4th centuryChurch Father

Winter undeniably holds a twofold significance, either due to its inherent harshness or because it signifies the season when, with the blessing of rain, seeds are sown. In referring to winter, Solomon illustrates the temporal existence of this world, during which the Word of God is disseminated—much like the seeds of righteousness—by prophets, apostles, and priests, continually shared through persistent preaching akin to the life-giving rain from heaven. Following the end of winter, representing the trials of this life, alongside the diminishing of rain, which corresponds to the proclamation of God’s Word, comes the vibrant season of spring, heralding the advent of Christ's kingdom. In that glorious moment, the bodies of the saints shall awaken from their earthly graves like blooms, resembling flowers, roses, and lilies, radiant in their purity and adorned in the hues of their martyrdom.

Ireneus (Orda)

19th centuryCommentator

The cherished one, upon hearing her beloved's call, extols his speed and recounts how he arrived at her home. She vividly depicts the splendor of the Palestinian spring, inviting him to the mountain ravines and vineyards to relish his presence and voice (2:8-15). Subsequently, she beckons him to her, recounting her nighttime search for him in the city's streets, her inquiries with the guards about his whereabouts, and ultimately, her discovery of him, which led her to bring him to her mother's abode (2:16-17; 3:4). Once again, the beloved pleads with the bride's companions not to disrupt her tranquility (5).

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