The Church Fathers on this verse

Song of Songs 4:6Meaning & Commentary from the Church Fathers

Till the day break, and the shadows retire, I will go to the mountain of myrrh, and to the hill of frankincense.

Douay-Rheims

עַ֤ד שֶׁיָּפ֙וּחַ֙ הַיּ֔וֹם וְנָ֖סוּ הַצְּלָלִ֑ים אֵ֤לֶךְ לִי֙ אֶל־הַ֣ר הַמּ֔וֹר וְאֶל־גִּבְעַ֖ת הַלְּבוֹנָֽה׃

Hebrew (Masoretic text)

The Church Fathers on this verse

4 Church Fathers comment on this verse

Gregory of Nyssa

4th centuryChurch Father

Until now, the Word, after praising the individual members of the Church, turns to extol the entirety of her body, as He states, “by death He shall abolish him that hath the power of death” (Heb. 2:14), and shall once again elevate Himself to the divine glory He possessed from the very beginning, “before the world was” (John 17:5). In His declaration, “I will go myself to the lowly mountain and to the hill of Lebanon” (6), referencing the glory of the Godhead, He adds, “All that is good thou art My neighbour, and there is no blemish in thee” (7). This teaches us first that no one can take His life from Him; rather, “the region” must “lay it down, and the region” must “receive it again” (John 10:18).

Read more (186 words)

He journeyed to the mountain of Smyrna, not due to our merits—let no one take pride in that!—but by His own grace, willingly accepting death on behalf of sinners. It follows that human nature can only be cleansed from sin through the One who is “the Lamb that taketh away the sins of the world” (John 1:29), who eradicated all corruption by His own action. Thus, when He states that “all that is good is My neighbour, and there is no vice in thee,” He continues exploring the sacrament of suffering, subtly alluding to Smyrna and, later, mentioning Lebanon, which signifies the Godhead. This teaches us that those who share in the suffering of Smyrna will undoubtedly also share in the glory of Lebanon. For those who endure suffering with Him are surely glorified with Him. The one who was once in divine glory is truly beautiful, having transcended all resistible vice; and we too can be distanced from such vice for the sake of Christ Jesus our Lord, who died and rose again for us. To Him be glory and authority forever and ever! Amen.

Jerome of Stridon

4th centuryChurch Father

I will ascend, he declares, to the mountain of humility, which refers to those who have surrendered their physical existence, and to the heights of Lebanon, to the most virtuous assemblies of virgins.

Theodoret of Cyrus

5th centuryChurch Father

Your two breasts resemble two young goats that graze among the lilies, Song of Songs 4:6 until the morning dawns and the shadows flee away. Here, the breasts symbolize the sources of spiritual teaching, which provide appropriate nourishment for each generation—some receive the milk of early instruction, while others partake of more robust fare. The comparison to young goats indicates that our understanding is still limited in this life, as the Apostle notes, “For we know in part, and we prophesy in part” (1 Cor. 13:9). The little ones, nourished among the lilies, thrive on the teachings of the Holy Spirit until the day concludes, and the shadows depart, signifying the end of our earthly struggles and the transience of temporal matters.

Read more (160 words)

Consequently, the Bridegroom, having articulated the splendor of the Bride, declares in Song 4:6 I will ascend to the humble mountain and to the heights of Lebanon. In your exquisite beauty, entirely surpassing all, and deeply affected by love for me, I endured death for you; “I will ascend to the humble mountain,” yet I will rise again and elevate myself to “the heights of Lebanon.” The humble mountain signifies death, while Lebanon represents the Divine nature. It raises the question of why He referred to death as a mountain and His Divinity as a hill. This distinction reflects a profound and unfathomable mystery: that the limitless God chose to humble Himself and take on the nature of a servant (cf. Phil. 2:7). However, His resurrection following death is less surprising. He termed death as a mountain because it embodies a more profound mystery and presents a greater challenge for God to endure humiliation than to be restored to glory.

Ireneus (Orda)

19th centuryCommentator

The beloved, already within the bridal chamber, begins to sing a glorious love song, celebrating the bride in the most exquisite manner. The grandeur of nature and the picturesque scenery of the Palestinian landscape reflect her beauty. Doves, herds of goats grazing on Gilead, and flocks of sheep returning from the watering hole with their young are among the images used. Other symbols such as a red thread, rose petals, a slice of pomegranate, and a tower erected by David for storing arms further illustrate this admiration. The bridegroom likens his beloved's eyes, hair, teeth, mouth, cheeks, neck, and form to these delightful images, emphasizing that she is flawless in every way.

Cross references

Passages read together with this verse.