He continues this instruction: to whom do you compare God, or what form will you craft for Him, He who is Spirit, present everywhere and sustaining the earth as if it were but a handful? At the same time, He mocks the foolishness of the nations for having a painter, a coppersmith, a goldsmith, or a silversmith creating deities for themselves, securing them with nails and plates, ensuring they withstand the winds. When mentioning that the skilled artist selects resilient and decay-resistant wood, he refers to amsuchan in Hebrew, a wood known for its durability, typically used in idol creation. This serves to pave the way for Gospel teaching, following the renunciation of idols, so that all crooked paths may be made straight, valleys exalted, and hills made low, revealing the glory of the Lord for all flesh to witness the salvation of God. Allegorically, one might suggest that the heretics who forge various idols in their hearts are rebuked, either through eloquent discourse, representative of silver, or through the brilliance of gold, which symbolizes the intellect, or through wood that does not decay, signifying hollow teachings that those who conceive them deem solid and are upheld by dialectical reasoning, appearing steadfast and secure.