The Church Fathers on this verse

Isaiah 40:19Meaning & Commentary from the Church Fathers

Hath the workman cast a graven statue? or hath the goldsmith formed it with gold, or the silversmith with plates of silver?

Douay-Rheims

הַפֶּ֙סֶל֙ נָסַ֣ךְ חָרָ֔שׁ וְצֹרֵ֖ף בַּזָּהָ֣ב יְרַקְּעֶ֑נּוּ וּרְתֻק֥וֹת כֶּ֖סֶף צוֹרֵֽף׃

Hebrew (Masoretic text)

The Church Fathers on this verse

4 Church Fathers comment on this verse

Cyrill of Alexandria

5th centuryChurch Father

Should we compare Him to the creations of an artist, the craftsmanship of a carpenter, the artistry of a goldsmith, or any statue resembling a creature, or fashioned, as it is said, in the shape of a man? Let it not be so; for nothing can be on par with Him. As He is intrinsically God and there is none other like Him, He stands as the most supreme in every aspect. Thus, after exposing the emptiness of all that has been created and summoned into existence, he mocks the creation of idols.

Jerome of Stridon

4th centuryChurch Father

To whom then will you compare God, or what likeness will you create for Him? Did not the craftsman mold the idol, and the goldsmith embellish it with gold, and the silversmith with sheets of silver? The skilled artisan has selected durable wood that does not rot, carefully positioning the idol to ensure it remains stable. After articulating the magnificence of God and demonstrating part of His might, as well as summoning the nations and islands as mere drops from a bucket and dust on the scales, He dismisses the value of sacrificial offerings, stating that all nations are insignificant before Him, counted as nothing.

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He continues this instruction: to whom do you compare God, or what form will you craft for Him, He who is Spirit, present everywhere and sustaining the earth as if it were but a handful? At the same time, He mocks the foolishness of the nations for having a painter, a coppersmith, a goldsmith, or a silversmith creating deities for themselves, securing them with nails and plates, ensuring they withstand the winds. When mentioning that the skilled artist selects resilient and decay-resistant wood, he refers to amsuchan in Hebrew, a wood known for its durability, typically used in idol creation. This serves to pave the way for Gospel teaching, following the renunciation of idols, so that all crooked paths may be made straight, valleys exalted, and hills made low, revealing the glory of the Lord for all flesh to witness the salvation of God. Allegorically, one might suggest that the heretics who forge various idols in their hearts are rebuked, either through eloquent discourse, representative of silver, or through the brilliance of gold, which symbolizes the intellect, or through wood that does not decay, signifying hollow teachings that those who conceive them deem solid and are upheld by dialectical reasoning, appearing steadfast and secure.

Theodoret of Cyrus

5th centuryChurch Father

The infinite nature of divine power is beyond comprehension, and the Sovereign God, in establishing His commandments, has decreed: "Thou shalt not make for thyself an idol, nor any likeness of that which is in heaven above, nor of that which is in the earth beneath, nor of that which is in the waters under the earth" (Deuteronomy 5:8-9). This is the Lord your God, whose form remains unseen. Furthermore, the prophetic message strongly denounces the absurdity of crafting and venerating idols, directly calling attention to the vastness of Divine power. The text indicates that humanity is but a mere drop in a bucket, a mere blip on the scales, and a small speck in comparison to that indescribable and limitless power.

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The prophet also illustrates that the multitude of animals on earth is a trivial offering and cannot sufficiently honor the greatness of God, nor can all the cedars of Lebanon provide enough fuel for a fire burned before Him. Thus, what image could possibly be created for such a Being?

The inability of artistic expression to encapsulate the divine grandeur is profound and unbounded; what form of art could ever capture such essence?

Vissarion (Nechaev)

19th centuryCommentator

In these statements, the prophet condemns the folly of those who worship idols. It is clear that these idols are products of human craftsmanship just like any other creation. Did not a carpenter, a common carpenter, carve an image representing a deity, and did not a silversmith adorn this image with gold, or fashion a similar one from gold?

Cross references

Passages read together with this verse.