The Church Fathers on this verse

1 Corinthians 14:7Meaning & Commentary from the Church Fathers

Even things without life that give sound, whether pipe or harp, except they give a distinction of sounds, how shall it be known what is piped or harped?

Douay-Rheims

ομως τα αψυχα φωνην διδοντα ειτε αυλος ειτε κιθαρα εαν διαστολην τοις φθογγοις μη διδω πως γνωσθησεται το αυλουμενον η το κιθαριζομενον

Greek (Byzantine text)

The Church Fathers on this verse

7 Church Fathers comment on this verse

John Chrysostom

4th centuryChurch Father

What profit is there from words you do not understand? And what am I saying, he continues, that this is unprofitable among us, and that only what is clear and intelligible to the hearers is profitable?

The same can be seen even in soulless musical instruments. If, for example, you blow into a flute or strike a harp without proper rhythm and harmony, but confusedly and at random, you will give pleasure to none of the hearers.

For even from inarticulate instruments a certain clarity is required. If you strike a harp or blow into a flute without skill, you will accomplish nothing.

If we require such clarity, order, and distinctness from soulless objects, and if we strive and labor to give great meaning to meaningless sounds, then much more is meaningfulness required from living and rational men, and from spiritual gifts.

Theophylact of Bulgaria

11th centuryChurch Father

And why, he says, do I say that what is unclear among us is useless, while what is clear is useful? If even lifeless instruments do not produce distinct tones, that is, clear ones, but everything is mixed together, then one can neither recognize what is being played nor receive pleasure and joy.

Ephraem the Syrian

4th centuryChurch Father

Shall I not be like a lifeless flute or harp? For if they do not give some distinction of sounds, how will one know what is played on the flute or on the harp?

Theodoret of Cyrus

5th centuryChurch Father

You yourselves know that both flute and harp need a certain measure and skill. For then, though inanimate, they produce a certain ordered sound. But if someone uses them without this, the performance has no meaning. So also, if the trumpet sounds in an unwarlike way, it does not arm the soldiers.

Michail Cheraskov

19th centuryChurch Father

The uselessness, for those present in church, of speaking in unfamiliar tongues, even by inspiration from the Spirit, may be compared with the discordant and confused sounds of different instruments instead of pleasant music. Or it may be compared with the uncertain sound of a military trumpet instead of signals intelligible to soldiers (1 Cor 14:7-8). Or again, it will be speaking into the air (1 Cor 14:9), or speaking as a foreigner to another such foreigner (1 Cor 14:11).

Nikanor (Kamenski)

19th centuryChurch Father

In order not to grieve any of those who abused the gift of tongues, the Apostle says that it would not be good if, for example, he himself came and began speaking among them in an incomprehensible language. Of course this could not happen and did not happen, as they well knew.

Then, persuading them not to abuse the gift of tongues, the Apostle shows that even soulless objects, which serve as means for expressing human thoughts and feelings, produce intelligible sounds. Such are the flute, the harp, and the trumpet.

Read more (174 words)

Still more does the human throat do so, expressing an infinite multitude of concepts in articulate sounds and words. How, then, should an organ of the Spirit of God, possessing the gift of tongues, not care to be able to explain what it utters, for the fuller benefit of the Church?

Blessed Theophylact, pausing over the Apostle’s words, “unless I speak either by revelation, or by understanding, or by prophecy, or by teaching,” explains these apostolic indications of the different kinds of preaching in the primitive Church as follows.

“By revelation, that is, what those who receive revelations from God usually say. This includes the case when, in the presence of all, the thoughts of each are revealed.

By understanding, that is, what those who possess knowledge can say when they set forth the mysteries of God to their hearers. By prophecy, that is, declaring what was, what is, and what will be. Prophecy comprehends revelations.

By teaching, that is, in the form of an instructive word, when the discourse concerns virtue and doctrines.”

Theophan the Recluse

19th centuryChurch Father

“What am I saying,” the Apostle continues, “that this is unprofitable among us, and that only what is clear and intelligible to the hearers is profitable? The same can be seen even in soulless musical instruments.

If, for example, you blow into a flute or strike a harp without proper order and harmony, but confusedly and disorderly, you will give pleasure to none of the hearers. For even from inarticulate instruments a certain clarity is required.

If you strike a harp or blow into a flute without skill, you will accomplish nothing. If we require such clarity, order, and distinctness from soulless things, then much more is ready intelligibility required from living and rational men, and from spiritual gifts.

If we strive and labor to give great meaning to meaningless sounds, then intelligibility is required all the more from ensouled and rational men, and from spiritual gifts.” Chrysostom.

Cross references

Passages read together with this verse.

The original text

Greek text, 22 words with lemma, transliteration and Strong’s number. Tap to expand.

  1. ὅμως
    homōs
    yet
    G3676 · ὅμως
  2. τὰ
    ta
    the
    G3588 · ὁ
  3. ἄψυχα
    apsycha
    lifeless
    G895 · ἄψυχος
  4. φωνὴν
    phōnēn
    a sound
    G5456 · φωνή
  5. διδόντα
    didonta
    I offer
    G1325 · δίδωμι
  6. εἴτε
    eite
    and if
    G1535 · εἴτε
  7. αὐλὸς
    aulos
    a flute
    G836 · αὐλός
  8. εἴτε
    eite
    and if
    G1535 · εἴτε
  9. κιθάρα
    kithara
    a harp
    G2788 · κιθάρα
  10. ἐὰν
    ean
    if
    G1437 · ἐάν
  11. διαστολὴν
    diastolēn
    distinction
    G1293 · διαστολή
  12. τοῖς
    tois
    the
    G3588 · ὁ
  13. φθόγγοις
    phthongois
    a sound
    G5353 · φθόγγος
  14. μὴ
    mē
    not
    G3361 · μή
  15. δῷ
    dō
    I offer
    G1325 · δίδωμι
  16. πῶς
    pōs
    how
    G4459 · πως
  17. γνωσθήσεται
    gnōsthēsetai
    I come to know
    G1097 · γινώσκω
  18. τὸ
    to
    the
    G3588 · ὁ
  19. αὐλούμενον
    auloumenon
    I play the flute
    G832 · αὐλέω
  20. ἢ
    ē
    or
    G2228 · ἤ
  21. τὸ
    to
    the
    G3588 · ὁ
  22. κιθαριζόμενον
    kitharizomenon
    I play on the harp
    G2789 · κιθαρίζω