John Chrysostom
Again they attack without cause, just as the Jews attacked Jason (Acts 17:6). They were ready for anything. So little did they think of nobility and honor.
And the whole city was filled with confusion. And having caught Gaius and Aristarchus, men of Macedonia, Paul's companions, they rushed with one accord into the theatre.
και επλησθη η πολις ολη της συγχυσεως ωρμησαν τε ομοθυμαδον εις το θεατρον συναρπασαντες γαιον και αρισταρχον μακεδονας συνεκδημους παυλου
6 Church Fathers comment on this verse
Again they attack without cause, just as the Jews attacked Jason (Acts 17:6). They were ready for anything. So little did they think of nobility and honor.
Meanwhile a strong disturbance arose in Ephesus against the Apostle. It was at the same time proof of the significant consequences of his preaching in Asia Minor.
In this city silver and gold models were made of the famous temple of Diana located there. They were sent everywhere and brought rich revenues to the city. A certain Demetrius carried on a large manufacture of such models and employed many workers.
Seeing the powerful success of the Gospel in Asia Minor, and feeling his income diminish as faith in Diana began to decline, he feared that his craft would lose its whole course. He gathered those of like mind and easily inflamed their indignation against men who threatened to destroy Diana's glory and deprive them of income.
The people began to stir. All hurried to the public square where they usually assembled. Many shouted without themselves knowing what the matter was. Two of Paul's companions were seized.
The Greek people, who formed the main population of the city, generally cherished hatred toward the Jews living there as enemies of the gods. At a slight offense, popular hatred could easily flare into a riot, from which the Jews might suffer much.
In the present case, many still did not know the exact cause of the popular indignation. The Jews only heard that the people were agitated because of an insult inflicted by enemies of the gods. They at once referred the cause of this indignation to themselves.
A man named Alexander appeared, intending to give the people explanations and, if necessary, to lay the blame on the Christians. But the appearance of such a man, who himself belonged among the enemies of the popular religion, produced only stronger irritation. The shouting increased still more.
It seems, however, that only the rabble harbored these hostile dispositions toward the Apostle. The city authorities knew Paul's manner of life and activity during almost three years in Ephesus. This could not but give them a favorable judgment of Paul.
Some of the city rulers, who in that year administered religious affairs in Asia Minor, the Άσιάρχαι, and had supervision over the public games, even showed concern for his fate. They begged him not to appear before the people during this disturbance.
At last the city clerk succeeded in calming the turbulent crowd. He explained that satisfaction must be sought by lawful order. He said that it was impossible for anyone to rise against the great goddess of Ephesus, and that responsibility for the disturbance might be feared.
At this time a disturbance arose in Ephesus, stirred up against him by a certain silversmith named Demetrius. His chief craft was making silver models of the famous Ephesian temple of Artemis. Therefore the cooling of the pagans toward the temple of Artemis of Ephesus, which had occurred through the apostle's preaching, threatened the complete decline of his trade. Yet the popular tumult was soon calmed, and the disorderly crowd dispersed through the persuasion of a civil official. Thus Paul, against whom this popular disturbance had been raised, remained unharmed.
Burning with vengeance against the chief cause of their losses, the rebellious artisans and craftsmen wanted to seize the Apostle Paul himself. Not finding him personally, they seized two of his fellow workers, Gaius and Aristarchus, and dragged them into the theater for the crowd's vengeance and mockery. When the apostle learned of the danger to his beloved fellow workers, he wanted to go into the theater himself, to sacrifice himself. But the city authorities restrained him, because they feared an increase of the popular disturbance.
With this cry, those gathered by Demetrius went toward the city and through the city. The whole city was filled with confusion. The disturbed crowd of workmen stirred up the whole population of Ephesus. The disturbance was directed chiefly against the preachers of Christ, Paul and his companions.
They seized the Macedonians and so forth. As is clear from this and what follows, the crowd did not find Paul. Instead, it seized two of his companions who happened to be there: Aristarchus of Thessalonica (Acts 20:4; Acts 27:2) and Gaius, who must be distinguished from Gaius of Derbe (Acts 20:4). They dragged them to the spectacle, into the theater.
In Greek cities, city theaters were places for large public assemblies, where civic affairs were discussed. Even seditious popular gatherings used these places. The rioters dragged Paul's companions into the city theater, probably to demand judgment and condemnation against them there, or to subject them to mob justice.
The popular uprising cannot be explained by Demetrius' speech alone. He undoubtedly acted in other ways to inflame the crowd. Many other enemies of the Apostles, who had for a time fallen silent, were now stirred up. The circumstances of the time also helped this.
It is said that at this time there was a great gathering of people in Ephesus for the spring festival in honor of Artemis. It lasted a whole month, and a fair was held at the same time. Day and night Ephesus gave itself over then to broad and noisy merriment.
"And so Demetrius, taking advantage of this festive and merry time, resolved to stir up a riot against the Apostles. He began among the craftsmen under his authority, and then among the street crowd of Ephesus."
According to the explanation of Saint John Chrysostom, "Such is the nature of the common people. They are carried away and irritated by every event. Therefore one must deal with them cautiously in everything. Notice how frivolous they were, and how ready to incline toward anything. So little did they think of nobility and honor."
"They assumed a threatening posture, so that by shouting they might restore some respect for the gods and drown out what had happened. They kept shouting without ceasing, as though fearing that the worship of the gods might be altogether extinguished."
"The cry, 'Great is Artemis of the Ephesians,' with which the rioting crowd filled the vaults of the vast Ephesian theater without ceasing for two hours, was not a phrase that happened to come to the crowd's lips. It was evidently a formula known to everyone, like 'hurrah.'
In 1887, Hogarth, Oroun, and others discovered at Diaspolis a marble inscription. There was a temple there in honor of Artemis and her son Apollo. On it occur the greetings, 'Great is Apollo' and 'Great is Artemis.'
In Wood's collection there is a marble with the following inscription: 'The senate and the people render public honors to those who served as guardians of the temple in the year of Demetrius.' Then follows a list of the honored temple guardians in this order: from the Ephesian tribe. Demetrius, son of Melophilus, son of Tryphon, of the thousand of Boreis; Thoas, son of Drocontavenes, of the thousand of Inopeus...
Thus at the head of the list of temple curators stands the well-known Demetrius. This monument is dated to the second half of the first century after the Nativity of Christ. Nothing prevents the supposition that Demetrius, the curator of the temple, could have been the same Demetrius who rose against Paul in 57.
Passages read together with this verse.
Greek text, 19 words with lemma, transliteration and Strong’s number. Tap to expand.