The Church Fathers on this verse

Exodus 26:31Meaning & Commentary from the Church Fathers

Thou shalt make also a veil of violet, and purple, and scarlet twice dyed, and fine twisted linen, wrought with embroidered work and goodly variety:

Douay-Rheims

וְעָשִׂ֣יתָ פָרֹ֗כֶת תְּכֵ֧לֶת וְאַרְגָּמָ֛ן וְתוֹלַ֥עַת שָׁנִ֖י וְשֵׁ֣שׁ מָשְׁזָ֑ר מַעֲשֵׂ֥ה חֹשֵׁ֛ב יַעֲשֶׂ֥ה אֹתָ֖הּ כְּרֻבִֽים׃

Hebrew (Masoretic text)

The Church Fathers on this verse

3 Church Fathers comment on this verse

Cyrill of Alexandria

5th centuryChurch Father

Regarding this matter, it is stated in this manner, and concerning the basin, it is written: ‘Thou shalt make the laver of brass for washing, and its socket of brass, and shalt put it between the tabernacle of the congregation and between the altar’ (Exodus 30:18). Do you comprehend what is conveyed about each item? Palladius replied, "Not entirely; I find myself confused, and I cannot discern its meaning." Cyril responded, "I will strive to provide a clear and understandable explanation for each of the proposed principles, drawing out what is beneficial for their examination.

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The sacred tabernacle was constructed in the wilderness with a dual structure: one section was the innermost tabernacle known as the Holy of Holies, and adjacent to it was the area referred to as the Holy Place. In the inner sanctum was a tabernacle supported by four golden pillars and adorned with a veil, intricately crafted from blue, purple, scarlet thread, and fine linen. Having sufficiently discussed the linen, purple, scarlet, and blue fabric, let us set aside a detailed comparison for now and state simply that the veil on the four golden pillars, which rested on silver bases, symbolized the mystery of Christ. For did not the wise Paul also refer to the body of Christ as a veil for us, saying, ‘having boldness to enter ... by a new and living way, the veil, ... that is, his flesh’ (Heb. 10:20, 19)?

Palladius replied, "You have spoken rightly."

Theodoret of Cyrus

5th centuryChurch Father

The canopy of the Tabernacle was adorned with various fabrics in distinct colors: one was purple, another pink, another scarlet, and another resembling hyacinth, with the linen being white. These colors represented the four elements; hyacinth symbolized the air, pink and scarlet represented fire, purple was associated with the sea, from which the shell for that dye is derived, and the linen reflected the earth, from which it is believed to originate.

Wlastow G.K.

19th centuryCommentator

The Hebrew term for the veil signifies a form of separation or alienation, as noted by Cook. The cherubim were depicted on this veil, similar to the fabric used for covering the top of the tabernacle. O. Gerlach remarks that the entirety of the sanctuary, adorned with images of God’s servants, was designed to inspire the thoughts of both the praying faithful and the priestly minister towards that enigmatic realm where the Lord revealed Himself in all His majesty. According to the English Comm. Bible, Flavius Josephus’s description of the tabernacle's curtain for the Romans makes no mention of the cherubim; instead, he refers to flowers and other decorative elements woven into the fabric, but not a single living being. The Angl. Comm.

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Bible rightly suggests that Josephus may have been describing the veil of the last temple in Jerusalem, which he had witnessed firsthand. It is posited that the later Jewish adherents, clinging strictly to the letter of the law, overlooked the directives in Exodus to adhere rigidly to the literal interpretation of the second commandment. This interpretation seems highly plausible, as there is little doubt that the leaders of Judah were cautious in avoiding any semblance of venerating created beings, and thus refrained from depicting the cherubim on the veil for fear of provoking idolatrous inclinations among the people. The veil itself was suspended from ornate pillars adorned with gold, resting on silver bases.

Cross references

Passages read together with this verse.