The Church Fathers on this verse

Psalm 68 (67):26Meaning & Commentary from the Church Fathers

Princes went before joined with singers, in the midst of young damsels playing on timbrels.

Douay-Rheims · Hebrew numbering, Septuagint numbering in brackets.

קִדְּמ֣וּ שָׁ֭רִים אַחַ֣ר נֹגְנִ֑ים בְּת֥וֹךְ עֲ֝לָמ֗וֹת תּוֹפֵפֽוֹת׃

Hebrew (Masoretic text)

The Church Fathers on this verse

8 Church Fathers comment on this verse

Augustine of Hippo

5th centuryChurch Father

The leaders symbolize the Apostles, as they journeyed ahead to invite the nations to join in great numbers. They were the forerunners of the New Covenant, alongside the praises of individuals whose righteous deeds were, in a sense, instruments of worship that magnified God. Additionally, these same leaders are seen among the virgins, engaging in joyful service, representing those who minister within the new congregations; these are the pure in heart, whose spirits are dedicated to honoring God. They are likened to those who play the tambourines, crafted from leather that has been dried and stretched, signifying their sincere devotion and worship.

Athanasius the Great

4th centuryChurch Father

Let the princes approach those who engage in song. The term 'princes' refers to the holy Apostles, as it is stated, “I will set up princes over all the earth” (Psalm 44:17). 'Singing' denotes those who present verbal offerings of worship. Thus, it is indicated that the princes ‘prefigure’—meaning they were the pioneers of the ministry that embodies spirit and truth, or the ministry of the Gospel. Among the maidens playing the tambourines, the 'maidens' represent the souls of believers, empowered by the Holy Spirit, who have made known the heavenly realms through the proclamation of the Gospel. In this context, the Holy Apostles are understood as the forerunners of this ministry.

Jerome of Stridon

4th centuryChurch Father

The apostles were the first to lead, alongside those who came to believe through their ministry or perhaps through the support of the early Churches. Thus, it is affirmed that their bodies were made lifeless in relation to sin. Additionally, Miriam, the sister of Moses and Aaron, took up the tambourine as she led those who sang, declaring: “Let us sing to the Lord, for He is gloriously honored” (Exodus 15:21).

Theodoret of Cyrus

5th centuryChurch Father

In this passage, the Prophet reveals the delight of the congregations, designating the holy Apostles as rulers and recognizing them as the builders of the churches. He likens the virgins to musicians who maintain their purity and present fragrant offerings to God.

Euthymios Zigabenos

11th centuryCommentator

The rulers lead those who sing, as articulated by the Divine David, who refers to the Apostles as princes. As Athanasius and Theodoret note, this is reflected in the scripture: "You shall make them princes over all the earth" (Psalm 44:17). The Apostles served as a warning to all other believers among the Gentiles, being the first to embrace Christ. In calling to mind the act of singing, he refers to the prophets, those who foretold Christ through psalms and musical instruments. These prophets can be likened to the Apostles, who retained a strong connection to their teachings, following them closely in both time and proclamation.

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Among the joyful maidens, the Apostles, by echoing the prophets’ messages, preached to Jewish communities known as youthful, due to their spiritual immaturity. They were likened to those who carried percussion instruments, signifying their devotion in song to God, embodying their physical service under the law; for just as a tympanum forms part of the body, so too does their worship involve physicality. Alternatively, the Apostles may be seen as present among the congregations of Christ, referred to as youthful because of their purity and fresh faith, with tympani symbolizing the discipline of the body for God’s glory, since the tympanum is akin to a lifeless form.

Theodoret describes the youthful maidens as those who rise in purity and offer divine melodies to the Lord. Athanasius articulates that the youthful souls represent those strengthened by the Holy Spirit. Didyma states that those who sing represent those engaged in the active life, while the youthful maidens with their tympani symbolize souls who have put to death their earthly desires, embodying the lifelessness of Jesus within their beings.

Philaret of Moscow (Drosdow)

19th centuryChurch Father

The ninth section of David’s hymn. The closest representation of this discussion is the imagery of the tabernacle’s procession, depicted as a glorious triumph. However, as indicated in the earlier parts of the song where the prophet’s focus is clearly on the future events of Christ’s kingdom, it is essential to enrich the outward meaning of the text with a deeper, more contemplative significance. "Triumph must be accompanied by glorious victory, and this will indeed follow the Messiah’s triumph and that of His Church." "Those who possess the enlightened vision of faith can perceive it even before the ultimate universal event, recognizing it in personal experiences of predestination and transformation.

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They witness Your processions, O God, as You march, O mighty God, protector of the people of Israel and their King, appearing in the majesty of Your tabernacle: they envision that majestic and solemn procession, anticipating Your arrival, alongside the kingdom of grace, peace, and holiness that will arrive with you." "In this present ceremonial procession, the singers lead the crowds, followed by those with instruments; amidst these two choirs, maidens march, playing on the timbrels. Thus, similar to the victory of Michael and his angels (Rev. 12:7), in the triumph of Christ and the Church, the voice of the mighty will first be heard (Rev. 12:10-12), followed by the resounding song of the virgins (Rev. 14:2-4), and then the Mosaic hymn from those bearing the harps of God (Rev. 15:2-4)." "Let all gaze upon this vision, not merely as individuals but as entire congregations, praising God: bless those who emerge from the fountain of Israel (Is. 48:1; Is. 51:1), and reverence the Lord who favors those who come forth from the fountain of Israel" (see: Rom. 1:2-4). "Here, Benjamin is small at birth and in the size of his tribe (see Judg. 21:3; 1 Sam. 9:21), yet he possesses Israel through Saul; here are the leaders of Judah, from whom the entire lineage of the Porphyrogenitus descends; here are leaders from Zebulun and Naphtali, the lesser and more remote tribes of Israel: for all the tribes of Israel are represented here. Likewise, at the advent of the Messiah, He Himself will appear as the Porphyrogenitus of the tribe of Judah, with many of the initial leaders of His mysterious kingdom emerging from Zebulun and Naphtali, while only one, small in stature according to his calling, will be from Benjamin (the Apostle Paul)."

Irenaeus (Klementjewsky)

18th centuryCommentator

In this passage, the focus shifts from the army that has turned away from battle to the sacred gathering of the people, who are led by various types of singers lifting their voices in praise of God, the One who grants triumphs. Initially, the foremost of these singers, referred to by the seventy translators as princes, are depicted playing trumpets, while the daughters skilled in percussion join them, as previously mentioned in verse 13. The subsequent phrase, "Bless God from the springs of Israel," has been interpreted by some as relating to the heart, suggesting that insincere praise, merely verbal, is detestable to God; however, this interpretation lacks support.

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David is actually calling upon all those descended from the holy patriarch Jacob, also known as Israel, to offer their praises.

It raises a question as to why the Prophet, while addressing the holy gathering of the people, prioritizes the tribe of Benjamin. Some scholars propose that the descendants of Benjamin held a close relationship with the house of David, as did the other two tribes, Zebulun and Naphtali, despite their geographical distances. Others suggest that the terms "distant" and "near" may represent the entirety of the people through a figure of synecdoche. However, there may be additional, unknown reasons for the Prophet's emphasis on Benjamin, which can remain open to interpretation without dismissing the aforementioned theories. It is not unusual for the Prophets to refer to ancestral lines when discussing tribes; thus, it makes sense that Benjamin’s descendants, acknowledging their forefather, who was the youngest son of Jacob, are identified as Benjamin the youngest. Moreover, the designation of Benjamin as a ruler may reflect the presence of a valiant figure within that tribe known for their heroic exploits, similar to those from the other two tribes he highlights.

According to the seventy translators, there was a sense of dread associated with Benjamin, indicating that the tribe possessed remarkable strength and accomplished extraordinary feats that instilled fear in their adversaries. After bestowing honor upon the tribe of Benjamin as well as Naphtali and Zebulun, he subsequently attributes all glory to the ultimate authority by appointing the princes of Judah as the chief commanders over all military contingents and the entire assembly of the people.

Psalter with Commentaries (Cave Monastery in Kiew)

19th centuryCommentator

This psalm, inspired by the Holy Spirit, reflects on God's covenant established in Jerusalem and His intentional triumph over numerous adversaries. It speaks of the countless blessings of God revealed in the Old Testament, such as leading the Israelites from Egypt to the Promised Land and delivering the law from Mount Sinai. Furthermore, it prophetically celebrates the sacraments of the New Testament: the incarnation of Christ the Savior, His baptism, transfiguration, suffering, resurrection, ascension, the coming of the Holy Spirit, and other profound acts of the Divine. The journey to the West requires us to recall the Passion and death of Christ, who, through the divine power, liberated Adam and others from the depths of the underworld.

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God's name signifies the East, for He is the inaccessible Light and the eternal Deity; thus, the movement toward the West represents a communion with human suffering, akin to the darkness that contrasts with the light atop the mountains. This illustrates that God is omnipresent. Therefore, whether you are seated, walking, engaged in work, eating, or fulfilling any other bodily need, regardless of facing East or West, let there be no hesitation in your prayers; for we are instructed to pray without ceasing and in all places. Even when your head is covered, maintain your prayer, ensuring it is offered with attentiveness.

Cross references

Passages read together with this verse.