Others may ponder the bride’s choice to adorn her dwelling with fine qualities rather than thorns, hay, or reeds, as the Apostle observes, steering clear from such earthly materials (1 Cor. 3:12). Instead, she wishes for apples to adorn the ceiling of her home, as she states, “Put me in apples,” for she seeks this fruit to embody everything beautiful and comforting—beauty, peace, sustenance, refreshment, shade, rest, and support. As beauty, it captivates; as perfume, it pleases the senses; as nourishment, it satisfies both body and spirit; as shade, it provides cool relief; as a seat, it brings comfort after toil; as a ceiling, it shelters those within; as a pillar, it offers stability, while the visible apples enhance the ceiling’s attractiveness. Can there be a more stunning sight than apples displayed elegantly together, where the deep red of one contrasts beautifully with the pale white of another? Furthermore, if these apples can be arranged to rise on a plane, what could possibly surpass such elegance? This is not unattainable for those seeking spiritual treasures, for such fruit is light and does not weigh down or bring low, but naturally yearns for heights. Virtue, like these apples, aspires upwards, directing the heart toward the mountain. Thus, the bride desires the beauty of these apples to become the ceiling of her home. It seems to me that the essence of this passage transcends mere aesthetics; it must surely impart valuable insights. What is the spiritual significance within this imagery? In the wilderness of our being, through God’s grace, He who took on our flesh and blood has become like an apple; in this fruit, one can perceive the harmonious likeness of flesh and blood—the whiteness symbolizing flesh, and the redness revealing the essence of blood. When the soul, in its delight in the Divine, yearns to behold this blood, the riddle teaches us that focusing on the mountain while attending to apples leads us toward a heavenly abode, guided by the Gospel revealed by Him who descended from above, showcased the fullness of good works in human form, as the Lord proclaims, “Learn from Me, for I am meek and lowly in heart” (Matt. 11:29). Similarly, the Apostle guides us toward humility (one example affirms this truth). He reminds us that wisdom lies in understanding Christ Jesus, who, being in the likeness of God, did not seek equality with God but humbled Himself, taking the form of a servant, entering our existence in the flesh, and embracing the suffering of death for the joy set before Him (Phil. 2:5-8). Therefore, when the bride implores, “Put me in the apples,” she expresses her desire to constantly gaze upward, reflecting on the good works demonstrated by the Bridegroom: there humility, there absence of malice, there compassion toward enemies and kindness to those who wrong us, rewarding anger with forgiveness; there self-mastery, purity, generosity, and a complete lack of vanity and worldly allure. The bride next praises the archer for his deft skill, declaring, “I am wounded by love,” thereby referencing the arrow embedded deep within her heart—the one who has fired it is love itself. Holy Scripture reveals to us that God is love. He releases His chosen arrow at those He saves—His only begotten Son—imbued with the Spirit of life. The arrow’s tip represents faith, ensuring that wherever it lands, the one who sent it is present, as the Lord states, “I and the Father are one” (John 10:30) and “We will come and make our abode with him” (John 14:23). Hence, the soul, elevated by divine grace, perceives within itself the sweet arrow of love and transforms the pain of wounding into praise, saying, “I am wounded with love.” How beautiful this affliction is! What a sweet sorrow, as it penetrates deep into the interior, opening what seems a door of entrance! In this union, both the soul and love share the experience of the arrow, transforming the act of shooting into joyful celebration. It is well understood that the hands carefully manage the bow according to need, adjusting as required; the left hand steadying the bow, while the right hand draws the bowstring to release the arrow, directed toward its target by the left hand's grip. Thus, the hand which was once the target now finds itself in the service of the archer, while the right and left hands embrace the arrow instead.