The poet likens the people of Israel to a plant that has been uprooted and repositioned. Similarly, in Psalm 79 (9-12), this nation is depicted as a vine that the Lord removed from Egypt, subsequently planted in a prepared area within Canaan, overshadowing its mountains, with its branches extending toward the Mediterranean Sea and the Euphrates River. In this context, Moses, the song leader, petitions the Lord to bring the Israelites into His rightful inheritance, which explicitly refers to the temple mountain, Moriah. Recognized as the Lord’s possession, this mountain became a sacred site from the time of Abraham. Though the Israelites were established throughout the Promised Land, the essence of their identity as God's chosen and consecrated people was deeply rooted in the temple mount.
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Their existence was fundamentally tied to their faith in the one true God and their holy reverence, centered around the temple. A waning fervor for the temple signaled a deterioration of their genuine faith, leading to moral and civil decline. As stated, “they that are planted in the house of the Lord shall flourish in His courts” (Psalm 91:14). Therefore, the song leader beseeches the Lord for the commitment of the people to the temple and their piety. The temple on Mount Moriah is referred to as the Lord’s prepared dwelling, indicating that this mountain was consecrated for this purpose by the sacrifice of Isaac (Genesis 22:13). This temple is also regarded as the holy sanctuary of the Lord, established for the offerings made within it. While built by human hands, it serves solely as an instrument of the divine purpose orchestrated by God’s will.